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Workplace hoesik (회식) and unwanted touching
6:42
회식 (hoesik) is a mandatory after-work group dinner, often followed by a noraebang session. Junior employees are expected to pour drinks for seniors and endure familiarity from higher-ups that they cannot easily refuse. Ye-eun's complaint about being groped captures a well-known dark side of this culture that Korean women frequently discuss.
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상암동 DMC (Sangam-dong Digital Media City)
8:58
Sangam-dong DMC, in the northwest of Seoul, is a planned media and IT hub where many broadcasting companies and tech firms are based. Jin-a's mention of it while calling for a taxi anchors the episode's late-night office scenes in a very specific, recognizable part of the city.
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보양식 (bo-yang-sik) — restorative food
17:31
보양식 literally means 'health-nourishing food.' Koreans reach for it when they feel run-down — classic choices include 삼계탕 (ginseng chicken soup) or 장어 (grilled eel). Jin-a suggesting it after a brutal hoesik night is a very Korean shorthand for 'we need to replenish our energy after all that nonsense.'
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부조 (bujo) — condolence or celebratory cash envelopes
21:56
부조 is the Korean custom of giving cash envelopes at weddings, funerals, and other life events. Families keep careful mental tallies of what they have given and received. Mi-yeon's complaint that handing out so many envelopes could 'pull out the foundation posts' captures how these social obligations can quietly drain a household budget.
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가산점 (Gasan branch) — industrial district setting
31:29
가산 (Gasan) refers to the Gasan Digital Complex in southwestern Seoul, a dense cluster of office towers and small factories. A coffee franchise branch there would be surrounded by thousands of office workers, making it a high-traffic, high-pressure location — which is why its sudden closure triggers immediate alarm all the way up to the CEO.
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SCA 라이선스 — specialty coffee credential
33:38
SCA stands for Specialty Coffee Association, a globally recognised body that certifies barista skill levels. In Korean café culture, holding an SCA licence is a real badge of professional pride. Jin-a citing it as the reason Bo-ra should run the espresso bar is both a genuine compliment and a way of assigning the hardest job to the most qualified person.
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립스틱·쿠폰 경비 처리 (expensing lipstick as a company cost)
37:55
The scandal is that 100 tubes of lipstick and 100 mobile gift coupons — totalling about 2.42 million won — were charged to company funds instead of the personal account that was supposed to cover them. In Korean corporate culture, improper 경비 처리 (gyeongbi cheo-ri, expense reimbursement) is a serious compliance issue and a common source of office politics.
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우산과 라이터 (umbrellas and lighters as 'throwaway' purchases)
46:37
There is a running joke in Korean everyday life that umbrellas and lighters are the two things people are most reluctant to spend money on because they always get lost or forgotten. Jun-hui buying only one red umbrella — the cheapest he could find — and handing it over entirely plays right into this shared cultural punchline.
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'당신의 눈동자에 건배' — Casablanca toast
1:06:00
진아 아빠 Sang-gi quotes the famous Casablanca line 'Here's looking at you, kid' in English as a toast to his wife after claiming lifelong fidelity. It is a well-known movie quote in Korea, often used humorously to signal romantic sincerity — which makes Mi-yeon's deadpan reply that she caught him cheating even funnier.
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Jin-a's confession and the social weight of saying 좋아해
1:09:11
좋아해 (I like/have feelings for you) is a significant declaration in Korean romantic culture — a step below 사랑해 (I love you) but still a clear, public admission of romantic interest. Saying it out loud in front of her ex-boyfriend and her parents at the same time is a dramatic breaking of the unspoken rule that such things stay private.
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밥 사 달라 — 'buy me a meal' as a soft confession
1:11:09
In Korean dating culture, asking someone to 밥 사 줘 (buy me a meal) is often a low-stakes, face-saving way to propose spending time together without openly declaring feelings. After everything that just exploded in that apartment, Jun-hui using it as his big closing line is both shy and playful — and a Korean viewer would instantly clock it as a quasi-confession.